Origins & Reconstructions

For years, my work keeps returning to one question: how do you approach something that is no longer there?
A prehistoric face rebuilt from fragments of bone. A sculpture caught somewhere between matter and life. A myth still clinging to a landscape. A battlefield whose history has gone quiet.
None of these projects try to recreate the past. They look at the traces it left, and at the forms through which it keeps showing up in the present.
Somewhere between archaeology, memory and invention, these photographs sit in a kind of uncertainty where absence starts to feel concrete. I am not chasing historical accuracy for its own sake. I am after the instant when a face, a place or a story suddenly feels present again.
Origins & Reconstructions keeps asking how we remember, rebuild and reimagine what time has taken out of view.