D'Elle - From Sculpture to Movement

This series looks at the moment when sculpture turns back into movement.
Each session started with a work by the French sculptor Antoine Bourdelle. The models first tried to reproduce the sculpture as faithfully as they could, paying attention to its balance, tensions, architectural structure. Once that initial position had settled into the body, they left it behind and improvised, letting movement grow out of the energy already held in the pose.
The photographs follow that slow shift. A fixed form turns unstable. Balance gives way. Muscular tension unfolds into gesture. What starts as imitation slowly turns into something genuinely the model's own.
Rather than recreating Bourdelle's sculptures, the series looks at the space between permanence and impermanence, between the stillness of carved stone and the life in a moving body.
What comes out of it shows sculpture as something other than a finished object: a source of movement, an impulse able to generate gestures that go beyond the original work.

Developed within the Unclearpicture collaboration with writer Michel Maurel

Dark layered study of a reclining woman whose extended limbs repeat through motion.
A standing nude woman raises both arms overhead within a narrow oval of blurred movement.
A reclining body is repeated through a dark horizontal multiple exposure.
An upright female figure dissolves into several overlapping positions.
A woman forms a triangular pose with both arms meeting above her head.
A blurred standing figure turns as repeated outlines gather against black.
A female figure raises her arms around her head within layered oval textures.
Horizontal study of a woman bending over a low support as her limbs repeat through motion.
A standing woman bends forward, her body doubled in a dark vertical composition.
Several crouching female figures overlap into a rounded sculptural cluster.
A solitary upright nude appears through faint layered repetitions.
Multiple standing figures merge into a tall, architectural oval composition.
A woman extends both arms in an angular gesture against a dark linear structure.
A standing figure is framed by repeated vertical and curved lines.
Several female poses converge into a dense sculptural composition.
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