Hybrid work is where I explore what photography can become.
I use analogue film, digital tools, panoramics, in-game environments, and AI, not to replace the real, but to extend the way I pay attention to it.
When I work with AI, I follow the same process as in a studio or in the field:
I start broad, I refine, and I wait for the moment where the images begin to surprise me. I don’t look for perfection. I look for the shift, the moment where something feels alive.
These hybrid images always come from lived experiences:
a landscape I walked through, a model I photographed, a place that stayed with me.
Even my prehistoric or fictional reconstructions are rooted in real traces, real gestures, real research.
I also experiment with distortions, materials, textures, and hybrid surfaces, not to produce effects, but to see how an image can hold different layers of time and reality.
This page is a laboratory.
It gathers attempts, variations, and future directions, not finished works, but the ongoing movement of a practice that stays open.
I use analogue film, digital tools, panoramics, in-game environments, and AI, not to replace the real, but to extend the way I pay attention to it.
When I work with AI, I follow the same process as in a studio or in the field:
I start broad, I refine, and I wait for the moment where the images begin to surprise me. I don’t look for perfection. I look for the shift, the moment where something feels alive.
These hybrid images always come from lived experiences:
a landscape I walked through, a model I photographed, a place that stayed with me.
Even my prehistoric or fictional reconstructions are rooted in real traces, real gestures, real research.
I also experiment with distortions, materials, textures, and hybrid surfaces, not to produce effects, but to see how an image can hold different layers of time and reality.
This page is a laboratory.
It gathers attempts, variations, and future directions, not finished works, but the ongoing movement of a practice that stays open.