This section brings together the research side of my practice — the part that evolves, shifts, and refuses closure. Some projects explore how the body interacts with the landscape (walking, carrying machines, tracing surfaces). Others test the limits of representation: panoramic distortions, blurred gestures, skin imprints, or hybrid dialogues between analogue photography and machine-generated imagery. These projects function as laboratories. They reveal the movement behind the images — the protocols, the accidents, the physical effort, the conceptual threads that connect prehistoric faces, cemetery paths, scars, landscapes and the acts of making.