Projects is where the work reveals its internal engine.
These pages gather the ongoing processes, methods, questions and experiments that shape the images long before they exist as series.
Betweenstrap is an artist-process: the practice unfolds through gestures, walking, tracing, carrying, reconstructing, hybridizing, and these gestures form the conceptual backbone of the work.
Here you’ll find the protocols I use in the field, the lines of thought that run through different bodies of work, and the hybrid forms I test at the edge of photography.
Some of these projects remain open, unfinished, deliberately unresolved. Others act as frameworks: ways of understanding the body as a site, the landscape as a trajectory, or the image as a place where memory and fiction overlap.
Projects is not a portfolio. It is the living part of the practice , the laboratory where movement, method and speculation meet.
It is where the work begins, shifts, and grows.
These pages gather the ongoing processes, methods, questions and experiments that shape the images long before they exist as series.
Betweenstrap is an artist-process: the practice unfolds through gestures, walking, tracing, carrying, reconstructing, hybridizing, and these gestures form the conceptual backbone of the work.
Here you’ll find the protocols I use in the field, the lines of thought that run through different bodies of work, and the hybrid forms I test at the edge of photography.
Some of these projects remain open, unfinished, deliberately unresolved. Others act as frameworks: ways of understanding the body as a site, the landscape as a trajectory, or the image as a place where memory and fiction overlap.
Projects is not a portfolio. It is the living part of the practice , the laboratory where movement, method and speculation meet.
It is where the work begins, shifts, and grows.
